The Pick-Up Diary

In order to make a woman feel attracted to you, you have to flip some switches – sooner or later. Here are the main ones:

1. You must show her that you’re safe. Trust is an important issue for most women. This must be demonstrated. So switch #1: SAFETY and TRUST.

2. You must show her that you have either job, security, motivation, or ambition. In other
words, you must have a life and goals. So switch #2 is demonstrating to her that you have STABILITY and AMBITION. You don’t have to be successful, you just have to show the potential to be successful.

3. You must show her that you’re different than the other guys, that you are not generic or boring, that she can learn something from you or grow with you, that you have a sense of adventure or creativity or spirituality. So switch #3 is showing her that you have something to offer, even if you don’t give it to her in the moment. This is where DHVs (demonstrations of higher value) are useful.

4. You must be the prize of the room. She wants a guy others will envy her for, that she can brag about to her friends.This is where social proof comes in, where story-telling comes in. It’s also where alpha qualities come in, and not supplicating. So switch #4 is demonstrating all of the many qualities of: CONFIDENCE, LEADERSHIP, AUTHORITY, and POPULARITY.

5. It’s a big world and we all feel alone in it, so if you can demonstrate that you UNDERSTAND her and where she comes from, she will feel chemistry. This can largely be done through demonstrating either cultural, mental, emotional, world view, humor, or life/background commonalities. The more obscure and rare a trait that you connect
on, the more chemistry you create. So Switch #5 is demonstrating COMMONALITIES in order to trigger CHEMISTRY.

6. You need an aura of depth and mystery. You must maybe show a vulnerable or wounded side of yourself, you must not give away everything for free, you must be a puzzle she wants to figure out and maybe even have a wound she can heal. Switch #6 then is hooking her with your DEPTH and MYSTERY.

7. You must show her that you are NOT horny, but sexual. This is where social proof comes in too, also demonstrating an understanding of her world (liking her for who SHE is). So switch #7 is demonstrating your own LACK OF DESPERATION while showing her that you recognize something SPECIAL in her that attracts you to her. This is where QUALIFYING is useful, in other words demonstrating that you like her for who she is.

What is opening?

Essentially, it’s the first 3-90 seconds of an interaction with a woman, whereby you begin a conversation. With opening, there is good news and bad news. The bad news is that opening can be very scary. Men are biologically predisposed to be incredibly nervous when starting a conversation with a woman that we don’t know. There are good evolutionary-biological reasons for this (in prehistoric times, approaching an unknown woman without permission or an introduction could lead to violent retaliation from her extended family), but that’s probably not a lot of comfort. So, that nervous feeling you get and the little voices that pop into your head looking for excuses NOT to talk to that beautiful woman are NORMAL. You need to learn to suppress them, but they are normal, and everyone – even pickup gurus like Mystery and Style – have them.

Some more bad news. We not only need to open, suppressing our built-in emotions, but we need to open well. Opening poorly can doom the rest of your interaction with a woman, and any other women who see it, making everything else you do a waste of time.

What’s the good news? With practice, it’s fairly easy. Most experienced guys don’t even need to think about opening anymore.

The following tips will help get you started:

1. Have a canned opener ready – This is NOT a night at the improv. Going “situational” (e.g., “it sure is crowded here” or “that’s a nice purse”) will rarely work. Think about it. If a 22 year old woman has been going out 1 night per week since she was 18, and got approached 5 times in a night (and these numbers are major underestimations) she has been approached 1,000 times before you came along. Most of those 1,000 guys have tried something boring and situational. Use a canned opener – something that has been repeatedly tested with women and is proven to work. If you don’t have even one opener, I’d suggest Magic Bullets or the Love Systems Routines Manual. If you don’t have these invaluable texts, do yourself a favor and spend the money to get them and have your openers ready before you even go to the club, coffee shop, lounge, etc.

2. 3-2-1-GO! – When you see a girl you like: GO! Open her group immediately. Failure to do this will “stale you out.” Women like confidence. They don’t like to be stalked. They like spontaneity. Wandering around circling her, looking at her, trying to figure out what to do next will turn her off and creep her out. Get into the habit of seeing a group of people, and GOING IN. You’ve already got your opener ready, right?

3. Approach at an angle – Do not walk straight up to the group. Approach at an angle, tilt your head over your shoulders, and say your piece. Done correctly (and you almost need to see it to do it properly), you raise your value significantly by demonstrating that you do not need their attention or approval.

4. Smile on the approach – Don’t grin like a moron through the entire interaction, but smile as you walk to the set, and in the first few seconds of the opener. Smile with your eyes, not just your mouth. It may sound silly, but smiles can (and should) be practiced in front of a mirror.

5. Be loud enough – Everyone in the group should hear your opener. Your opener should be loud enough that it cuts across whatever conversations they are already having. Don’t shout, but make it socially awkward for them not to pay attention to your opener. Practice opening – loudly – from your chest, not your throat. If you put your hand on your chest, you should be able to talk in two ways: one in which you can feel the vibrations on your hand, and one where you can’t. Train yourself to speak in the way where you can feel the vibrations.

6. Don’t lean in – This is connected to being loud enough. You should project your voice enough that they can hear you from a normal standing position (or leaning slightly back).

7. Engage the group – Do NOT go into a group and talk to the woman you want to meet (the target). Engage the whole group. Pay LESS attention to the woman you are interested in.

8. Playfully tease the target – Teasing is a major tool for triggering attraction. The hotter the girl, the quicker you have to tease. It demonstrates higher social value, and women are attracted to men that they perceive as having higher social status than they perceive themselves to have. I’ve seen some of our instructors open with teasing, and many will begin teasing the target within the first 10 seconds of their openers.

Another crucial element of opening is ending it. The opener should be something short, to grab the group’s attention, and be emotionally neutral. As soon as you spot an opportunity, you should transition into get the girl attracted.

All these tips and techniques are covered in depth in Magic Bullets, which is considered the bible of seduction. Much more is covered in the book like how to attract women and how to figure out when the best time is to kiss a girl.

What is subtext?

For acting, subtext is the underlying meaning behind spoken words as interpreted by an actor. What does that mean? Basically you’re adding additional meaning to your spoken words by the way you say them. Let’s say you have the following (cheesy) script for a scene to act in:

John and Mary are alone in the bedroom. Mary is upset and John is comforting her.

“John: Mary, everything is going to be ok, I just want you to know that I love you.”

Now you’re  going to play John in this scene there is a lot of information you’re going to need in order to apply the proper subtext to your dialogue. Things like:

What is the relationship between John and Mary?
If they are siblings then the line would be spoken much differently than if they were lovers.

– What happened just before?
– What if this scene took place right after they had sex?
– How would you reflect that in the above line of dialogue?

This is all information that can be implied with the proper subtext.

So, what does this have to do with game? Everything!

Because – and you probably have heard this a lot – it doesn’t matter WHAT you say, it’s HOW you say it. Women are MASTERS at subtext, they know that there is loads of information hidden in the way something is said. That’s why women can get so bitchy over seemingly trivial things that guys say; they know what were thinking!

So how do you use subtext effectively? Let’s have an example:

Let’s say you’re in a venue gaming and you see a great set. Now in any given set at the venue, realistically, the subtext of the dialogue you exchange with them is going to be “I’m trying to win you over and make you like me.” A lot of guys subconsciously use this subtext when they open and are often blown out. Why? Because the women read into your subtext and knew exactly what you were doing, this is why you will hear “Is that a line?” often, even if she hadn’t heard it before.

A better way to approach is to use the subtext of your opener. This is how most successful PUAs operate. For instance, Cajun’s opener involves him asking girls if he looks like a drug dealer, so the subtext is simply that it’s bothering his that he look like a drug dealer and he needs their opinion. When he says the opener he puts himself in the mind frame that it JUST happened to him so that his subtext is believable.

Cajun holds the view that the best way to approach is to look at the venue as a stage and look at each set as a scene you can enter into. Instead of using the above mind frames when opening try to use the subtext of a completely made up scenario that makes you exude attractiveness. Enter into the set under the subtext of “I just slept with all of these girls” and I will communicate that to them by the way I speak, not by the words I’m saying. All of your dialogue will remain the same as it normally was.

So what happens? They catch on very quickly and you will create attraction almost instantaneously. Women LOVE guys that they can’t quite figure out, so if you go in acting like you just slept with them then you are basically a social enigma, which is like crack to them.

And this is why you can talk to them about robots for 3 mins and then all of a sudden make out! Subtext is the reason. You don’t always have to use the subtext of “I just slept with these girls”. You can use whatever you want, but this one works very well.

Subtext is one of those things that’s pretty hard to grasp through reading. That’s why Cajun and other Love Systems instructors created the DVD set “Beyond Words” so you can visually see it. In the DVD you can see Cajun teach in more depth other non-verbal techniques to attract women using your body language.

P.S. If you have any doubts about Cajun, check out Cajun picking up some hot girls. It’s a classic by now.

The guys from Love Systems finally did it: The Body Language and Physical Escalation DVD is finished. Here is an interview with Cajun, a great PUA and one of the guys behind the DVD:

What is the Beyond Words DVD Home Study Course about?

Cajun: A lot of guys ask me on the forums and in emails how they can improve their body language so they can better approach and attract women. It’s hard to show it to them because it is something you have to see. A lot of body language is very subtle and that is hard to convey in text. You can read about body language in books but it’s not the same as when you can visually see it.

A couple months ago I flew to London to work with Vercetti, who is a trained Shakespearean actor and fellow Love Systems coach, to make this DVD home study course. We wanted to share our newest and proven methods to attract women using non-verbal communication.

Instead of writing a book, we decided to make a DVD because you can visually learn how to improve your body language. With help of Mr M, Keychain and 5.0 we also made an extra segment on physical escalation. Again, touching and physical escalation (“kino”) can be better taught by using a visual medium.

Why is body language so important?

Cajun: A lot of guys think what you say is the most important thing when it comes to attracting women. That couldn’t be further from the truth. It doesn’t matter what you say, it is how you say it. With the “how” I mean your tone of voice, facial expressions, body language, and what we call “subcommunications” and “subtext”.

In the DVD set we cover all these aspects and explain in depth why your non-verbal communication is much more important than your verbal. Scientific studies have shown that most communication between people is non-verbal. In this clip I tell why non-verbal communication is important (a sneak preview of the DVD).

Can you give one tip that someone can use right now to improve their body language?

Cajun: The simplest thing you can do today is to work on your posture. In the DVD we cover the Alexander technique on how that can improve your posture dramatically. Trained actors use this all the time.

Girls will reject you before you even approach if you have bad posture, because it subcommunicates a lot of bad things about you. This goes especially for guys who have sit behind a computer a lot.

A simple exercise you can do is to do row exercises at the gym and squats. Also, whenever you sit behind your desk, be conscious of your posture. Don’t slouch, sit tall and keep your back erect. If you buy a swiss ball and use that as your chair behind your desk, you will be forced to sit up straight and it will fix your posture that way too.

Anything else you want to share?

Cajun: I’m really excited about the Beyond Words DVD set. Finally I’ve been able to reveal all my body language and subtext secrets that I normally only teach on my workshops and 1on1 sessions. This DVD is one of a kind and you can finally learn how to properly physically escalate (“kino”) and how to use your body language so it becomes easier to meet and attract women.

For more information on Cajun and his Beyond Words DVD Home Study Course, click here.

Don’t forget to check out the other preview clips:

Vercetti on First Impressions
Vercetti on Beer Shield
5.0 on Breaking Contact

The best thing you can do, is read/listen to/watch something, but for the time you spend learning it, spend 3 times that going out and practicing it in field. So if you spend an hour reading something, spend 3 hours going out and practicing it.

At some point you realise that 75% (if not more) is not what you say, but what’s going on elsewhere: Your sub-communications such as your voice tonality, posture, body language, eye contact, how you carry yourself etc. and the mindset you’re going out with. Of course you can’t be spitting boring ass shit at the girl, but for example, a guy learning this stuff with 50 routines saved on his phone/written on a sheet in his back pocket and trying to remember them all with the mindset of ‘I hope I don’t fuck up’, or a guy that has two or three things he’s learnt that he’s gonna practice, and has the mindset of ‘I’m gonna go have fun with this’. Who’s gonna 1. Learn more from doing it a bit at a time, and 2. Have more fun doing it?

Don’t treat mastering this area of your life as work, treat it as a new game that you look forward to playing. Go out & have fun with it, and instead of trying to get good at opening, teasing, takeaways, disqualifying, transitioning, qualifying, escalating, closing, same night lays etc. all in one night, put the puzzle together one piece at a time. More importantly, don’t put so much emphasis on the result, work on the skillset, not the outcome.

For more info, check out the Love Systems audio download. The first 10 minutes are FREE!

We’ve all been there: You’re so into that one special girl. She begins to sense a sharp discord with her own feelings of inadequacy and innate discomfort: this guy likes me too much. This you how you lose her…

Pick-up gurus tell us over and over again how bad “oneitis” is. But when you’re in the middle of that emotional maelstrom, it’s hard to hear why it’s important to kill those feelings for that special, magical girl.

Why? Because she’s not special, and neither are you.

In fact, in the book Getting the Love You Want, Dr. Harville Hendrix distills the experience of love down to three core emotions:

1.) This person is highly unusual and specifically tailored to loving me.
2.) I’ll never feel like this again.
3.) This feeling should last forever.

Biochemically, you are designed to react to loving emotions exactly how you do. Your emotions are not special.  She has loved before. So have you. She will again. So will you.

No, she’s not different. Imagine the most heinous, depraved, “slutty” thing you’ve seen or conceived. Now, know this: you know someone who’s done something like that or worse. Such is the reality of modern reality. Suck it up and deal. After all, you’re probably a normal, decent person, and all that deviance and judgment you just threw out in our imaginary situation there is NOTHING compared to the festival of sin that is your daily, hourly sexual fantasy life. What separates your thoughts from your actions? Sadly, it’s probably an issue of will and game.

No one is actually that special. But everyone is that special. That one girl isn’t worth a damn because everyone has a nugget of gold lodged somewhere in their chest. Everyone has some hidden glory. Sometimes it’s hidden very deeply. But there truly are a vast number of interesting, beautiful women, despite their minority status. In that same regard, no single girl is all you’ve made her up to be. Not one.

Some of you are reading this and thinking about This One Girl You Know. Seriously, not even her. EVEN IF EVERYTHING YOU SAY ABOUT HER IS TRUE! THERE IS A GIRL WHO IS BETTER-LOOKING, SMARTER, FUNNIER, AND NICER. YOU JUST HAVEN’T MET HER YET. That glorious sun goddess is still just another glorious sun goddess. We live on a planet with 6,200,000,000 human beings. And women are in the majority. Seriously, she’s not that special.

And that’s why you have those feelings for THAT special girl. That muse is only holding you back because what she’s really doing, what she’s really, really accomplishing, is holding you back from being your true, glorious self. Find her seventy thousand superior counterparts. Then return.

With understanding.

Experience and willingness to learn breed perspective. When you don’t accrue a lot of experience with girls, it’s easy to get sidetracked by illusions, to forget how mortal these divine creatures are. Then, you can find a girl you want, a girl you like, a girl you can love. And you will not love her out of habit. You will not love her because she’s just the prettiest girl you’ve ever been with. You will love her because she’s the best girl to receive your love. And that statement means something because you have allowed other, female things to happen to you!

To find out more information on dealing with ”oneitis”, check out this audio download. The first 10 minutes are FREE.

In some ways, Day Game follows the same structure as any other type of game. But of course there are also differences. Here are the main ones and how to get around them:

1. Guys generally get more approach anxiety approaching girls in the daytime than they do at night.

People always think, “Isn’t it weird to approach girls in the day? Aren’t they busy? Aren’t they going to tell you to go away?” The truth is it’s no less weird than approaching people you don’t know to talk to them in a bar. Instead of reacting really badly, girls react better in the daytime than they do at night. At night, they expect guys to be drunk and hit on them, but in the daytime, it happens to them much less often and thus they are impressed by your confidence and willingness to take risks. Like all approach anxiety, the only way to overcome this is to man up and go approach them.

2. Direct openers are much more necessary in Day Game than night game.

There are a lot of venue considerations in Day Game (see below), but in many situations, particularly in street game, it can come across as really bizarre to stop a random girl and ask her opinion on something. In a bar, you could feasibly be having a conversation with your mates, and want to ask someone nearby their opinion, but in the daytime it comes across as less congruent. Direct openers work fantastically well on the street, e.g. “Excuse me, I just saw you walking past and thought you looked absolutely beautiful! I know this is really forward of me but I just had to say hello. How are you?” Direct Openers are also massively important for moving sets. Contrary to what most people think, it is ridiculously easy to stop moving sets (most of my sets are girls walking past me), you just need to be committed enough to your Direct opener. When you open a moving set, stop, plant yourself right on the ground where you are and deliver the opener. Do NOT start moving as they are moving, wait for them to stop. If they don’t stop, it will be creepy to follow them.

3. Day Game involves a greater variety of venues than night game. These venues are mainly differentiated by the levels of Social Pressure they involve.

You have the streets, cafés, bookstores, art galleries, college campuses etc. Every venue or situation is slightly different, so you will need to develop good social calibration so you don’t creep girls out. The biggest factor to be aware of is Social Pressure. The more other people can listen to your interaction with a woman, the higher the Social Pressure will be, and the more potentially uncomfortable the girl will feel. In high social pressure situations, your job is three-fold. First, don’t go too Direct, either open indirectly or tone down your Direct opener (e.g. “That’s a lovely dress, how you doing?”).

Second, have a strong frame of feeling comfortable in the interaction. The strongest frame always wins: You feeling comfortable talking to her will make her relax. If you are nervous, she will start to feel uncomfortable. The truth is, feeling this comfortable only comes with time and practice. But remember, she can’t see how you feel inside, only how you act on the outside.

Third, make her laugh. If you can tease her or otherwise make her laugh within the first thirty seconds of the interaction, she will instantly relax – the interaction is then suddenly a fun bit of banter with a stranger instead of being accosted by some creepy guy on the subway.

4. Super hot girls are MUCH easier to open in the daytime.

You know how the super hot girls get hit on a lot in bars and clubs? There is one reason why: Alcohol. It normally starts happening after everyone is liquored up. In the sober light of day (and without all their buddies to back up their testosterone levels), most guys are shit scared of the super hottie walking down the street. They will gawp at her, but God forbid they summon the stones to go up to her and say hello. Direct game works really well in the daytime with super hotties. You’ll be surprised at how many of them will turn around to you and say, “Oh my God, that’s so nice of you, no one has ever stopped me on the street to say that!”

5. You can get into Comfort much more quickly in Day Game than night game.

The fact that you have approached her in the daytime already demonstrates a lot of value; if you went Direct, then this is even more pronounced. Attraction building should happen in a matter of minutes. As soon as she’s laughing and enjoying the interaction, stop thinking about attraction and start thinking about qualifying and building comfort. You’ll need to escalate things as part of this. The easiest way to escalate the interaction on the street is to ask her which way she is headed, and suggest that you walk with her for a few minutes to chat. You can add in a, “I don’t want go dress shopping or anything like that with you though – that would be kind of gay – so I’ll probably head off in a few minutes!” This works exactly like a false time constraint. You are reducing the pressure in the situation.

6. Day Game approaches are often less expected by women and can take them by surprise.

This is a double edged sword. On the one hand, as mentioned above it causes guys to have more anxiety when daytime approaching, and they sometimes equate the surprise that girls will get with her being weirded out. On the other hand, because she is surprised, you have just spiked her emotions and therefore, if you run the interaction well, this turns into a massive positive for you. Not to mention that fact that very rarely do guys approach women on the street, so when you do approach her she will be more impressed and more likely to remember you positively (therefore LESS likely to flake than a night game set). The best way to handle the surprise/shock factor she may experience (especially if you use a Direct opener) is to acknowledge the situation, e.g. “I know this is really forward of me… but I was going to regret it all day if I didn’t stop you and say hello,” or, “This is very bold of me, but I thought you looked absolutely stunning, and I don’t believe in letting opportunities pass you by.”

7. It is harder to get a Same Day Lay than a Same Night Lay.

The reason why this is true is because of logistics, not because of social conventions (which is what you might have expected). If your game is good enough, you can bend social conventions to your whim, but once you get good, the biggest problem you spend most of your time overcoming is logistics. The fact is, girls will tend to be more busy and in the middle of doing other things in the daytime, so often you will only be able to take a phone number, build some comfort, and then move on. However, this doesn’t mean you shouldn’t be on the lookout for Same Day Lays!! In the ideal situation, you meet the girl and take her on a series of venue changes than end up back at your place. More commonly, there will be an “interrupt”, where she has to go home to eat or meet friends etc. In these cases you can still try to get her to come out to a party with you that night. You need to get out of the mentality that Day Game is just about taking phone numbers: You are trying to seduce these women not just get their digits. Set up the instant date if you can (e.g. take her for a coffee, then a drink, then a walk, then your place), or arrange to meet her later that day if you can. As mentioned above though, this all depends on what else she has got going on that day. Welcome to the wonderful world of logistical management!

8. You often have less time to demonstrate value to the girl than in night game.

Some girls you open will be in a rush to get somewhere, just about to meet friends, or may not have the time or inclination to talk to a random (albeit fun and interesting) stranger in the middle of the day. Because you are not in a bar, chances are she is not going to see you talking to other people (i.e. no opportunity for social proof). In the daytime therefore, you typically have a very small window of opportunity to make a good first impression: You must present yourself as well as humanly possible. Leave the house ready to meet women. Wear nice clothes, style your hair, and wear good shoes (don’t wear your tatty trainers). All of these things will encourage her to response positively to her when you stop her in the middle of the street.

9. Groups of women seem more difficult to approach even though they really are not.

It is not true that you can’t run Direct Game on groups of women, and it is not true that you can’t open groups of women in the daytime. Your strategy with a group should be either to pull all of them to another venue with you (typically again, there will be an interrupt, but you can invite them somewhere later that night), or to open the girl you want, build some comfort with the whole group (so they approve of you and allow you to pick up the girl you want), and then start escalating with your chosen girl. Escalation in front of the group might be as simple as taking her number, finding out some stuff about her and qualifying her a little.

The most important thing is to take action. A lot of guys who excel in night game, choke in the daytime. You need to be willing to take action TODAY, not tomorrow, not the day after. Procrastination is the world’s greatest sin. You will find that once you force yourself to open a few daytime sets, your skills and experience in other areas will rapidly transfer across. It’s just being willing to burst through that barrier.

To find out more information on day game, check out this audio download by Love Systems day game experts Jeremy Soul and Bonsai. The first 10 minutes are FREE.

If meeting women in the daytime is something you’re interested in then this primer is for you. It contains the basic information on day game – what you need to know to get out there and start meeting people outside of a nightclub environment…

Opening:

Give a direct opener a try: ‘Excuse me, I saw you from over there. And I’d regret it all day if I didn’t come met you. Because you look absolutely gorgeous (extend hand to shake): Hi, I’m …, what’s your name?’
Direct openers like this usually open quite strongly and provide a good platform for you to launch the conversation from. At the very least, it’s nice to say nice things to people – it’ll make you feel good and give her positive emotions too.

There’s nothing wrong with starting a conversation in another style such as indirect, functional, comedic etc. There are lots of examples of these types of openers online and you’ll want to come up with your own as the situation dictates. Here are a few to get you started:

– ‘Hey do you know where the nearest Starbucks is?’
– She’s wearing head/earphones: ‘What are you listening to? I’m bored of my current playlist’ – take her iPod and start teasing/appreciating her playlist.
– She’s in a shop or coffee house, deliver with comedy: ‘I saw you from out there and had to come meet you. I just couldn’t let a pane of glass stand between us and true love.’

A Common Trap With Direct Openers:

Don’t try to solicit a reaction. So many guys get addicted to the big, gushing reactions that you will occasionally get from your direct approaches and ‘look’ for it every time. Instead of being an expression of their personality and core intent, the direct opener becomes a tool to chase a reaction. They deliver it and wait for the big WOW! It’s approval-seeking and not attractive.

Try this frame: Her beauty/vibe/aura moved you to approach. Something in your core just said ‘yes’. So you’re going to go meet her, express your core and see if she’s the kind of girl you might connect with and would like in your life. Self-expression, without the need for approval, mixed with a curious fascination for her as a unique creature.

Transition to Conversation:

After opening, stack and cycle through the following transition material until you find a topic that you’re both interested in and can naturally talk about together. Perhaps you both enjoy traveling or you both like the movies of a certain director.

To that end, here are three content-questions that you can ask to mine for a click topic:

1)What are doing in London/Oslo/Melrose today? (this also allows you to find out how much time you might have to talk. If she’s rushing to meet friends, better go for the number. If she’s just ‘shopping’, you might try for an instant-date later in the conversation)

2)What do you do for a living?

3)What do you do for fun?

These can either be delivered statement/question or question/statement. In other words, you might start by talking about what you’re doing in central London and then ask her what she’s up to (statement/question). Or you might ask her first and then answer your own question when she’s done (question/statement). Either way, be prepared to supply the initial content and energy of the interaction.

It’s not unusual for a person to be a little on-guard when approached by a stranger in the street or a coffee shop and give quite short answers. Allow her initial shyness, she’ll warm up as your statements build comfort and convey your attractive personality.

Another conversation technique is to talk about a character trait you enjoy, explain why you enjoy it and then ask her if she has it. This ‘soft qualification’ is a great way to add value to a conversation and qualify in a high-value way. The more astute among you may recognize some sexual framing in this material also.

For example:

‘I really like people who travel, I love to travel myself. There’s something about people who travel. There’s an open-mindedness to new experiences and a non-judgmental quality that I really like. Do you like to travel?’
‘I like to surround myself with creative people. They have an energy and a fresh way of looking at life that really energizes me. What do you do for fun?’

If you can’t find a click topic, consider that perhaps the two of you have nothing to click on and are better off moving on to meet other people. With practice, however, you’ll find you can find a way to connect with almost anyone you meet. Remember to listen with curiosity and interest.

Thoughts on Conversation:

All the principles of social interaction you’ll find in Magic Bullets and the other materials are relevant here. On top of these, focuse on glimpsing the girl underneath her social facade and being open enough for her to get a glimpse of you under yours.

It’s easy to view interactions with girls as a ‘game’ in which you say certain things, touch your ‘target’ in a certain way to either win or lose the game. This kind of thinking serves to dehumanize the girl who is, after all, a unique person just like you. What if the simple meeting of both of your personalities, opinions and experiences could provide enough content for an attractive, successful conversation?

Don’t forget to be fun and humorous. Tease a little to inject some spice, have fun with the conversation. There’s no need to be intense and serious all the time – in fact, this can be quite creepy! Try a fun role play or future projection, experiment with the attraction materials in Magic Bullets to spice things up. Beware of making these the focus of your content though, remember that you and her are enough to have a great conversation.

Find your own style of interaction. When you meet a man who is successful with girls, by all means copy his style but only to gain an understanding of the underlying principles that make him so successful. Don’t be a clone, you’ll get much better results as a great version of you.
Taking Things Further:

Where can you take the conversation after you’re clicking and enjoying one another? Depending on the logistics of the situation, you might try these options:

– suggest a future meeting and exchange contact details.
– suggest going to get a coffee right then and there.

Conclusion:

The skill of meeting people and having great conversations is a vast one with room for a lifetime of learning and experimentation. It’s a lot of fun and comes with lots of benefits, not least all of the beautiful women you’ll meet!

With this basic information you’ve got all you need to start meeting girls in the daytime. The most important thing you could do with what you’ve read is start applying it in real conversations.

To find out more information on day game, check out this audio download by day game experts Jeremy Soul and Bonsai from Love Systems. The first 10 minutes are free.

If you want to take a girl home, there are certain things you have to be aware of. Here are four tips for closing at her place:

1) Find out where she lives.

This step seems obvious, but you’d be surprised how often it is unintentionally left out. When you know where a woman lives, you can plan ahead to deal with the logistical problems you’re going to hit later.
Does she live near the venue? Does she have a roommate? Is she in a dorm? Do you know of a cool bar/after hours joint near her place? When you want to bounce her back there, are you going to drive, walk, or take a cab? Even if you end up with a phone number + date instead of going home with her, this info will be useful for when you go out again.

A few scenarios to consider and how to deal with them:

– Roommates: When there is a separate bedroom to retreat to, sacrificing a few minutes of conversation to win over the roommate(s) will make your being there a lot more comfortable. After they trust you, you can use any nonsense reason to bounce your girl to her bedroom. “Bet my room is cleaner than yours,” is one example.

– Cab ride: If she lives a cab ride away, be sure to keep up the momentum in the car, and continue to build up physical intimacy. If you were touching her arm in the bar, touch her leg in the cab. If you were about to make out in the bar, make out in the cab. Avoid cabs with bucket seats that make physical contact impossible.
– Dorm: If there’s a security guard, you can go through the lengthy (and vibe-killing) process of giving him your ID and signing in, or you can tell the girl to slide her card through and sneak in behind her. You get points for being resourceful, and it’s exciting because it seems like you’re doing something wrong.

– Shared bedroom: There are public bathrooms in dorms and hotels that I have found very accommodating when dealing with shared room situations. Be sure and scan for them when entering, and when it’s time to bounce to it, tell the girl that you’re “taking her on a field trip.”

2) Amp up the physical tension.

If you can get a girl sexually excited, then she’s going to want to bring you to a place where you can have sex as quickly as humanly possible. Here are a few quick pointers to get you started:
– Always end a touch or kiss before they do/want you to.
– Drop the topic of sex into conversation (in a light, joking way) as quickly as possible.
– Start touching the way you’d touch your boss and build to the way you’d touch a girlfriend.

3) “Let’s get you home.”

It’s easy to think of reasons to give a woman why she has to come back to your place. Keep it simple. “Let me show you that book I was talking about,” is perfect. It gives her plausible deniability and doesn’t tip your hand.

It’s harder to do this with her place. “Do you want to take me home with you?” makes you sound like a stray dog, not a man. “Let’s go to your place” is totally cliché thanks to every movie from the 1970s. “Let’s get out of here” is great if it’s obvious and explicit that she wants to have sex, but if you’re still flying a bit under the radar or her friends are around, you’re going to need something a little more subtle.
Instead, take the lead with “let’s get you home.” It’s a little dominant, it shows you know how to lead, but it also doesn’t trigger state breaks. If her friends are around, it implies that you are just going to make sure that she gets home safe. She shouldn’t feel any pressure since there’s really nothing implied. And if nothing’s going to happen, then there’s no reason she can’t bail on her friends, right?

(If you don’t remember state breaks, review Chapter 10 of Magic Bullets now. If you haven’t read Magic Bullets, get it. It’s the official Love Systems guide to meeting and attracting women, and where most successful guys start.)

4) Assume you’re going upstairs.

There’s nothing more awkward than walking a woman home and standing there silent for an eternity waiting for her to invite you up. Avoid this situation by assuming that she’ll be bringing you upstairs. Do not pause by the door. Do not say “Well, it was nice hanging out with you.” Keep the momentum of the interaction going as though you are still in the process of hanging out. If she has to invite you in, that’s risking a state break. Of course, there will be times when she suggests that you don’t come up, either because she doesn’t want to appear easy, or because she thinks letting you upstairs is an implicit agreement that you’ll be sleeping together. You can usually defuse this by giving yourself a bedtime. “I’ve got work in the morning, so I can only come up for a little bit” is one of my favorites. Say this before she even gets a chance to tell you why you can’t come in – like you coming in is a foregone conclusion.

To find out more information on closing at the girl’s place or getting a girl from the venue back to your place, check out the Love Systems interview series on Logistics. You can listen to the first 10 minutes for FREE!

Pick-Up instructor Sheriff has a special technique to identify sticking points. He suggests to take a piece of paper and write “I see a hot girl” at the top of it. At the bottom you have to write: “we start having sex”.

Your goal now is to fill in a plausible and detailed explanation of how you got from seeing this chick to sleeping with her. Whenever you get to a point where you’re not sure what to write, you’ve found a sticking point. The idea here is to know the plausible next step. So, here are the key points:

– Write personal, detailed, and fictional descriptions of how you went from seeing a girl to sleeping with her to help you get the process straight in your head, and identify your weak points

– Ask for advice any time you find yourself having trouble writing plausible dialogue or action sequences

– The point isn’t to prescript the interaction, the point is to identify your sticking points in getting from A to B – it won’t ever go down the way you planned anyway

– Don’t accept wishy-washy advice that doesn’t come with plausible detailed examples

To find out more on overcoming sticking points, check out the interview series on sticking points. You can listen to the first 10 minutes for FREE!